Competition 4

Wednesday, 29.04.2026, 18:00 @ Angewandte Auditorium

approx. 50 min

Yann les Jours: HAPPINESS

HAPPINESS

Yann les Jours | 2025 | 8m 14s | FR

Radar Vienna INTERNATIONAL Award
Competition 04

Katia lives in Berlin since 2022, she is fleeing a war. As she reflects on the deep wounds that a war can leave, she tells Yann how important and inevitable it is to try to be happy.
Meanwhile the clouds are drifting in the night, people are drifting in th clouds, in the streets, at sea.

Stefan Tiefengraber: WAB 6 11 23 30 33 51 52

WAB 6 11 23 30 33 51 52

Stefan Tiefengraber | 2025 | 3m 41s | AT

Radar Vienna AUSTRIAN Award

The sound source is stopped, what remains is the reverberation, which is now clearly audible. The reflections on the building structure, the concert hall. What is between the active parts of a choir? The space takes over and fills the pauses in the score. In this experimental film, artist Stefan Tiefengraber goes in search of the sound that remains when the source of the sound falls silent. A period of time in which no sound is created, but which is characterised by audible reverberation. In his compositions, Anton Bruckner placed particular emphasis on the placement of pauses and the acoustics of the space. For this project, Tiefengraber orientated himself on Anton Bruckner’s choral works (Anton Bruckner catalogue of works 6, 11, 23, 30, 33, 51, 52), in which no instruments are used. The film consists of fragments of the pauses from the performance of these seven works by the Linz Hard Choir under the direction of Alexander Koller, which was recorded for this project in the Mariendom Linz (Neuer Dom).

In the artist’s method of working, he implements previously defined rules in an uncompromising edit. The resulting fragments are put together in the order in which they appear in the original score. The precise setup of the microphones allows for cross-checking – the choir falls silent, only the echo remains. The visual language is reminiscent of a television broadcast, but also emphasises the moments that are not usually at the centre of attention. The result is an experimental, immersive sound experience, accompanied by intimate glimpses of the singers‘ facial expressions when they are not singing.

Sarah Legow: The Man Cave

The Man Cave

Sarah Legow| 2025 | 2m 5s | PT

Radar Vienna INTERNATIONAL Award
Competition 04

A childhood memory brought to life through a mixture of archival found photos, staged scenes, and stop-motion animation, “The Man Cave” is a brief, bewildering journey inside two young girls’ shared dream of manhood.

Meirav Heiman: Fine

Fine

Meirav Heiman | 2025 | 4m 47s | IL

Radar Vienna INTERNATIONAL Award
Competition 04

Family meal time goes haywire in this video work created during the current war; ordinary routines dissolve into chaotic, spectacular performance as everything falls apart.

Irene G. Villanueva: Gewalt. 191224_1

Gewalt. 191224_1

Irene G. Villanueva | 2025 | 8m 35s | AT

Radar Vienna AUSTRIAN Award

“Gewalt. 191224_1” is a structural animation film that translates the pandemic of femicides in Austria into visual and acoustic violence. The film includes information on the age of the murdered person, the location of the crime, and the manner in which the killing was committed. The data span from 2019 to December 2024, when non-governmental data began to be collected by individual organizations. The film includes not only murders that fall into the femicide spectrum but also the attempted femicide murders within Austrian territory. Lastly, it is worth noting that all the sound in the film is designed from recorded sounds emitted by objects commonly used in femicides.

Daniele Grosso: Count

Count

Daniele Grosso | 2025 | 4m 41s | PT

Radar Vienna INTERNATIONAL Award
Competition 04
Bettina Ottavia Gutmann: senza fine

senza fine

Bettina Ottavia Gutmann | 2025 | 2m 9s | IT

Radar Vienna INTERNATIONAL Award
Competition 04

The film explores a personal feeling the two queer filmmakers face again and again in their daily lives and uses an experimental approach to convey that feeling. A person runs through meadows and bushes, their breath is heavy, sounds are distorted, and time feels unstable. There is no visible pursuer, yet the urgency never fades. The film ends with a sudden silence and a sense of relief, fragile, almost unfamiliar. The question lingers: whether there ever was a reason to run or if stopping would have been an option.
Reflecting on the weight that comes when societal norms are pushed upon people who fear falling short of their rigid rules.

Astrid Rothaug: The Stolen Dream

The Stolen Dream

Astrid Rothaug | 2025 | 8m 15s | AT

Radar Vienna AUSTRIAN Award

The stolen dream“ is an animated short film about the world of dreams. Guarded by a dreamkeeper, a girl’s dream world is vast and full of promising dreams. However, when her biggest dream gets stolen, this magnificent space threatens to get lost.

Andreas Drewer: During the impact

During the impact

Andreas Drewer | 2025 | 7m 9s | DE

Radar Vienna INTERNATIONAL Award
Competition 04

Concrete imagery overlays abstract imagery and/or dissolves into it. An apparent chaos of twitching colours and structures, into which a linear event suddenly breaks, ultimately disappearing into the hazy sky. What remains is a white square that serves as a frame and screen until the end of the film. The experimental sound underscores the surreal, dreamlike (traumatic?) imagery, in which there is little more than an associative anchor for our desire for interpretation.

2026-04-20T10:39:05+02:00
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